Private Lesson Teachers
Joyce Oakes - Flute, Studio space off-site in Evanston (for possible on-site lessons please contact Joyce for more information)
Email: flutejoyceoakes@gmail.com
Phone: (847) 610-2219
Joyce Oakes is an active freelance musician, instructor, clinician and flute choir director. Throughout her career she has performed in solo recitals, chamber music and orchestral settings in the United States and Europe. She held a flute position with the BBC-NCOS London orchestra touring Great Britain. Joyce has performed chamber and orchestral music at the Tanglewood, Brevard, New Mexico, Santa Barbara and Hollywood Bowl festivals. Joyce has performed on piccolo, concert flute, alto and bass flutes as a member of the National Flute Association Professional Flute Choir and NFA flute orchestra. Joyce has appeared in concerts throughout the greater Chicago area and in broadcast for WFMT as a founding member of the Arioso flute and strings quartet.
Ms. Oakes is also the founder of the award winning Fresh Aire Flute Choir, H.S. District 219, serving as the director for thirteen years. She has contributed flute pedagogue articles published in Flute Talk and Flute Explorer magazines. She holds affiliations with the National Flute Association, Chicago Flute Club and Mu Phi Epsilon. Joyce has served as an adjudicator, masterclass coach, flute choir director and clinician for those organizations as well as the Society of American Musicians, Festival of Flutes, and other solo and ensemble contests in the greater Chicago area Ms. Oakes has taught flute for 25 years at various north shore schools and maintains a private studio in the Evanston/Skokie area. Students of Ms. Oakes have won local and national competitions sponsored by the Chicago Flute Club, Society of American Musicians, Festival of Flutes, National Flute Association and IMEA District/All State programs. Her students have been accepted at leading music schools including Eastman, Northwestern and DePaul.
Joyce Oakes was awarded a Bachelor of Fine Arts-Flute Performance from the California Institute of the Arts, a Master of Music-Flute Performance from Northwestern University and a Graduate Diploma in Orchestral Studies from the University of London Goldsmiths' College.
Kurt Bjorling - Clarinet, teaches on or off campus
Email: kb@muziker.org
Phone: 847-475-3905
Clarinetist Kurt Bjorling has wide ranging musical interests and activities. He plays and teaches a number of musical instruments including all the members of the clarinet family plus saxophones, recorders, accordion, and the tsimbl (Yiddish: dulcimer). Activities range from the study and performance of 16th-17th century consort music, ‘old-timey’ jazz, baroque and classical chamber music, the composition of original works for soloists & orchestra, traditional music of several cultures (Greek, Turkish, Romanian…) and the construction and restoration of musical instruments.
Kurt’s personal specialty is the research, performance and teaching of Yiddish instrumental music (popularized as ‘klezmer music’). He has toured and recorded with Brave Old World, Chicago Klezmer Ensemble, Itzhak Perlman, Duo Controverso, the Klezmatics, and has performed and taught at numerous Yiddish music workshops and festivals from Chicago to New York, San Francisco, Toronto, London, Weimar, Krakow, and beyond. In 2014 Kurt edited, annotated and published the first complete English edition of Jewish Instrumental Folk Music, the Collections and Writings of Moshe Beregovski, a seminal work of research on the klezmer music of Ukraine and Belarus from the late 19th c. to the 1940s.
In his teaching, Kurt is noted for developing materials specially suited to each student and for organizing small ensembles for students to play together.
“Wherever I perform, I seem to constantly meet people who tell me that they used to play the clarinet (or saxophone, or …) usually with a tone of regret, wishing they had continued, or disappointed that they no longer have a band or orchestra to play with. One of my chief aims as a teacher of young students is to help them learn how to adapt, create, and improvise music for themselves so that they don’t have to rely on others to provide them with material to play or a context in which to play it. Although I enjoy performing music, some of my most satisfying musical experiences have resulted from working with others to explore, adapt, and create music suited to our own style, instruments and interpretations, even if only for our own private consumption. I hope to equip others to do the same to whatever extent they would like.”
Kurt studied clarinet with Lloyd Scott in his youth, and with Larry Combs at Northwestern University. He later received further instruction from Lawry Bloom (Chicago Symphony) on bass clarinet, Richard Corpolongo on jazz and improvisation, and Rose Sperrazza (Northeastern Illinois University).
Carol Lee Smith - Clarinet, teaches off-campus
Email: gregory@gregory-smith.com
Phone: (847) 867-1645 (text preferred)
Carolee Smith holds a Masters in Music Performance degree from Northwestern University and a Bachelors in Music Performance from Georgia State University. She has performed and recorded Clarinet, Eb Clarinet, and Bass Clarinet with many of the country's top orchestras, including the Chicago Symphony, San Francisco Symphony, San Francisco Opera, Sacramento Symphony and the Atlanta Symphony Orchestra. She has enjoyed a wide variety of experiences as a freelancer including top musicals. She also has wide experience as a chamber musician performing with a multitude of organizations throughout the country.
Her teachers have included Robert Marcellus, Clark Brody, Larry Combs, Alan Balter, and Donald Carroll among others. She taught for The Music Conservatory at Roosevelt University for 29 years and 3 years at DePaul University. She taught clarinet for New Trier HS from 1983 until 1996. In 1996 she and her husband Greg, who plays with Chicago Symphony Orchestra, began their hand crafted mouthpiece business, which they sell around the world. Carolee has maintained a private home studio teaching since her teens.
Hunter Bockes - Saxophone, teaches on-campus
Email: chunterbockes@gmail.com
Phone: (703) 987-0856
Hunter is an American saxophonist, teacher, and chamber musician who thrives on pushing the boundaries of what the saxophone can do. As a soloist, Hunter has performed with the Eastern Music Festival as a guest soloist alongside Midori Gotō for their 2017 season. He has received numerous awards, most notably First Place at the 2016 Rosen-Schaffel Concerto Competition. He has also made appearances with the Fayetteville Symphony Orchestra, Peninsula Music Festival, and the Northwestern Symphony Orchestra. Hunter has shared the stage with Prism Quartet and Rudresh Mahanthappa among others.
Outside of his solo career, Hunter is the current alto saxophonist and founding member of the critically acclaimed and highly awarded new music ensemble, ~Nois. ~Nois is in demand as a guest artist and lecturer at universities across the nation with residencies and performances at institutions such as the University of Chicago, University of Colorado - Boulder, the Manhattan School of Music, and Princeton University, among others. The quartet also had the honor of being one of three guest artists for the University of Chicago’s inaugural season of the Chicago Center for Contemporary Composition. ~Nois is a champion of commissioning music by living composers and loves working closely with them to create new art. To date, ~Nois has premiered over 50 works.
Hunter received his Masters of Music from Northwestern University in Evanston, IL and his Bachelors of Arts from the University of North Carolina School of the Arts in Winston Salem, NC.
Doug Rosenberg - Saxophone, teaches off-campus
Email: doug.rosenberg@gmail.com
Phone: (773) 627-4279
Doug Rosenberg is a member of the new generation of jazz musicians composing and improvising music for the next century. The Chicago Tribune hails his “fearlessness of spirit and a robustness of tone that seem likely to win him a devoted following in coming years.” Rosenberg’s work on saxophone has an instantly recognizable sound and personal melodic language. He is best known for his work with Eastern Blok and Goran Ivanovic. Doug Rosenberg has also collaborated with great musicians like Sam Barsh, Maurice Brown, Kelan Phil Cohran, Robert Glasper, Marquis Hill, Robert “Baabe” Irving III, Rakalam Bob Moses, Makaya McCraven, Kendrick Scott, and Matt Ulery. His debut album, “Better Than TV” is available at www.dougrosenberg.com or anywhere music is sold.
As an educator, Rosenberg has taught masterclasses at universities such as Princeton, Cornell, and Michigan, in addition to many, many others. Currently he maintains a busy private lesson studio on Chicago’s North Shore and Western Suburbs. Doug plays all styles of music, improvised and written, including jazz, classical, Motown, Cuban, and Bulgarian, and is proficient on all saxophones, flutes, and clarinets.
Brian Gephart - Jazz Saxophone, teaches off-campus
Email: brian@briangephart.com
Phone: (847) 212-3872
Brian Gephart is a jazz tenor player and composer in the Chicago area. He has been a member of the ETHS Jazz combo faculty since 2010 and teaches several of our jazz saxophonists.
Peter Roothaan - Jazz Saxophone, teaches on or off campus
Email: proothaan@gmail.com
Phone: (847) 644-3449
Jazz saxophonist Peter Roothaan is equally comfortable on tenor and alto saxophones.
He has performed alongside (and learned from) many of the greats of jazz saxophone, including James Moody, David “Fathead” Newman, Bennie Golson, Jimmy Heath, Hank Crawford, Von Freeman, Bobby Watson, and Donald Harrison.
He has performed with legendary jazz singers such as Nancy Wilson and Freddie Cole, guitarist Henry Johnson, organist Chris Foreman, drummer Greg Rockingham, and many others.
Appearances include Ravinia, the Chicago Jazz Festival, Chicago’s Symphony Center, Millenium Park, the Ocho Rios Jazz Fest in Jamaica, The Jazz Cruise, and at nationally recognized jazz clubs.
In addition to his duties at ETHS as Assistant Jazz Band Director, Mr. Roothaan is the Jazz Band Director at Rochelle Zell Jewish High School in Deerfield Illinois.
Mr. Roothaan maintains a private teaching studio in Evanston Illinois. He teaches jazz saxophone, jazz theory and performance, and methods of improvisation. His understanding of teaching and performing jazz is enhanced by his jazz piano skills, allowing him to effectively accompany students when working on musical ideas and skills, and to demonstrate various aspects of the jazz language. He also plays flute, clarinet, drum set, and guitar.
Mark Olen - Trumpet, teaches on-campus
Email: markolen@oakton.edu
Phone: 847-894-9944
Trumpet faculty member Mark Olen continues to successfully teach and guide aspiring trumpeters in his private studio. A number of his current and past students have been awarded college scholarships and many have secured All-State and All-district honors. Mr. Olen is the current Jazz Ensemble director at Oakton College and has previously served on the Brass faculty at the University of Illinois @ Chicago.
As a professional Trumpet Artist, He has performed with many entertainers including: Tony Bennett, Michael McDonald,Al Jarreau, Ce Ce Winans, Aretha Franklin, Natalie Cole, B.B. King, Roger Daltry, & David Foster.
He’s lead trumpet of the Chicago Jazz Philharmonic & Chicago Jazz Ensemble.
Jazz luminaries with whom he has appeared include: Jon Faddis, Joe Lovano, Maynard Ferguson, Randy Brecker, Joshua Redman & Kurt Elling.
Mr. Olen’s versatility is evidenced by performances with the American Jazz Philharmonic, Chicago Jazz Orchestra, Ravinia Festival Orchestra, Grant Park, Elgin & Rockford Symphonies, Chicago Brass Quintet & BrassWorks (founder). He’s been a featured soloist with Great Lakes Navy Band & Chicago Jazz Ensemble.
As a studio artist, he’s contributed to recordings of the Chicago Jazz Ensemble, Kid Rhino, Chicago Jazz Philharmonic, VeggieTales, Robbie Fulks & countless Television/ Radio commercials. Additional credits include Broadway orchestras for Wicked, Les Miserables, Phantom of the Opera, Young Frankenstein, Spamalot, Frozen, & Emmanuel.
Emma Sepmeir - French Horn, teaches on-campus
Email: emma.sepmeier@gmail.com
Phone: (847) 507-4121
Emma Sepmeier is a Chicago-based horn player and teacher. As a performer, Emma has appeared with the Chicago Sinfonietta, the Lyric Opera of Chicago, the Sacred Music Series at Notre Dame, the Illinois Symphony Orchestra, the South Bend Symphony Orchestra, and the Chicago Jazz Orchestra. She is the current horn faculty for Carthage College, the Merit School of Music and the Music Institute of Chicago. Emma has taught for the youth symphonies of Chicago, Boston, and Milwaukee, as well as for ChiArts High School and The Peoples Music School.
Emma enjoys working with each student to find their voice on the horn. Her students have attended top music schools across the country, ILMEA Regional and All-State Festivals, and the summer programs at Interlochen, Blue Lake, Tanglewood, ISYM, and Brevard. Her primary teachers were Eric Ruske and Greg Flint. Outside of performing and teaching, Emma enjoys arranging music for flexible chamber ensembles, cooking, and spending time with her husband Kurt and daughters Thalia and Maeve.
Victor Ribadeneyra - Trombone/Euphonium, teaches on campus
Email: vribaden@gmail.com
Phone: (812) 219-8635
Victor Ribadeneyra (he/him/his) is a trombonist, euphonium player, music educator, and nonprofit professional specializing in music education and program building. As a music teacher, Victor has taught and developed lessons for students of all ages from 3 years old to retired older adults. He has taught jazz and classical trombone lessons, music theory classes, ear training classes, K-12 general music classes, middle and high school concert band, high school marching band, and high school jazz band. Trombone and euphonium students studying with Victor regularly earn top ratings in both jazz and classical solo competitions at ILMEA, ISSMA, and MYAC events. Groups under his direction have achieved top ratings in jazz and classical ISSMA ensemble competitions and seen multiple trips to ISSMA Class B Marching Band State Finals.
As a trombonist, composer, and arranger, Victor has received multiple honors for both his jazz and classical music as a Jazz Fellow at the Ravinia Steans Music Institute, finalist in the United States Air Force Golden Band of the West trombone audition, and finalist in the Indiana University Concerto Competition. Victor also marched with the Blue Stars Drum and Bugle Corps as lead baritone, receiving an Individual and Ensemble Champion Award with the Blue Stars Trombone Quartet. Victor’s compositions and arrangements have been performed at live sporting events, music shows, and at the Ravinia Festival’s Bennett-Gordon Hall. Student groups under his direction have achieved successful results at Indiana State School Music Association (ISSMA) events including two trips to Class B Marching Band State Finals, top ratings in middle school and high school concert band competitions, and top ratings in high school jazz band competitions.
Victor holds a Bachelor of Music Education (B.M.E.) degree with a Minor in Jazz Studies from the Indiana University Jacobs School of Music. Victor’s primary classical teachers include M. Dee Stewart, Peter Ellefson, Carl Lenthe, and David Plumb. His jazz teachers include Dr. David N. Baker, Curtis Fuller, Brent Wallarab, and Michael Spiro. Victor has also participated in master classes with Joseph Alessi, Alan Barnhill, and Amanda Stewart.
In addition to teaching music lessons, Victor Ribadeneyra also works full-time as Director of Community Engagement for the Music Institute of Chicago (MIC), a nonprofit music school in Chicagoland. He has also held positions as the Orchestra & Chamber Music Program Coordinator with Midwest Young Artists Conservatory, Production Assistant with the Ravinia Festival, and K-12 Band Director & General Music Teacher with the School Town of Munster. Victor also volunteers as a Cat Care Shift Leader with Community Animal Rescue Effort (C.A.R.E.), a volunteer led animal shelter in Skokie, Illinois. Victor originally hails from Boston, Massachusetts and Houston, Texas.
Riley Lindsey - Tuba, teaches on campus
Email: r.r.i.lindsey@gmail.com
Phone: (408) 702-8031
Riley Lindsey is a Chicago-based tubist and teacher, active as a professional orchestral, wind ensemble, solo, and chamber musician. He is the Principal Tubist of the Billings Symphony Orchestra and Chorale, a position he has held since his appointment in April 2019. In addition, he has been Principal tubist of the Adrian Symphony Orchestra since April 2023, Principal Tubist of the West Michigan Symphony since November 2023, and is currently performing with the Jackson Symphony Orchestra and the Allentown Symphony Orchestra. Riley has also appeared with the Battle Creek Symphony Orchestra, the Helena Symphony Orchestra, the Northwest Indiana Symphony Orchestra, the Stockton Symphony Orchestra, and the New Philharmonic, and spent the summer of 2019 as the tubist for the National Repertory Orchestra in Breckenridge, Colorado. This widespread orchestral career has led to Riley playing with renowned musicians from many styles, including famed soprano Anna-Maria Martinez, electric violin virtuoso Tracy Silverman, and comedy-rock legend "Weird Al" Yankovic.
In addition to his “road-warrior” orchestral work, chamber music has played an integral part in Riley’s performance career. In 2018, he won the Midwest Region Tuba Euphonium Conference Quartet Competition with the Baar Form Tuba Quartet. Riley's brass quintet playing has included performances with the Second City Brass Quintet, the Civic Orchestra of Chicago Brass Quintet, and the Brass Quintet of the National Repertory Orchestra. Around Chicago, he can be caught playing covers of popular hits and soundtracks with Tuba Force, a low brass quintet with a bad habit of hanging out in local establishments and annoying customers.
A proponent of the Wind Band medium, Riley served two summers as the principal tubist of the Wheaton Municipal Band, an ensemble with which he has also been featured as a soloist in a performance of Arthur Pryor’s “Blue Bells of Scotland” arranged for tuba and wind ensemble.
He holds music education as an important part of his career, and frequently works with brass players of all levels in the Midwest, Montana, and beyond in masterclasses, as a clinician, and through private study. He is the low brass lesson instructor at William Fremd High School and the tuba and euphonium lesson instructor at Evanston Township High School. Riley holds a Master of Music degree from the DePaul University School of Music where he studied with Floyd Cooley, and a Bachelor of Music degree from the University of the Pacific Conservatory of Music where he studied with Scott Choate and Matthew Tropman.
Joan Hickey - Jazz Piano, teaches off-campus
Email: hickey@uiuc.edu
Telephone: 1-847-644-4701
Joan has been teaching and performing in the Chicago area since the 1980's. She went to school at the University of Illinois in Champaign, and discovered jazz her senior year. Many outstanding musicians that had graduated were still there postponing a move to a big city. The result of this was a jazz scene rich with camaraderie and free from economic pressure.
"I had no teachers or books, just the recordings. I learned the most by listening to others. People would have parties and I picked up a lot from their comments when we would sit around and listen to recordings. I was drawn to all the unique and sometimes outrageous personal lives of the musicians. You could hear it in their playing. They shared a philosophy and aesthetic that taught a deep understanding of the essence of the music. Our aim was to honor the past masters, know what it was to really swing, and to explore one's own personality.
Joan immediately began working as a jazz musician when she moved back to Chicago. She played a number of solo and big band gigs, led a Blakey style sextet, and a group with vocalist Suzanne Palmer (a singer with an enormous voice who's style was a cross between Nancy Wilson and Aretha Franklin). She played one of the Chicago Jazz Festivals with Cab Calloway, Milt Hinton, J.C. Heard, and Jonah
Jones.
There have always been trio gigs, and after many years, she settled into a group with Dennis Carroll, bass and George Fludas, drums. After George came Dana Hall. She continues her work to this day with vocalists. "I love the challenge of accompanying a vocalist, and it gives me a chance to be around some female energy!"
She has been awarded 2 National Endowment for the Arts grants and an Illinois Arts Council grant in music composition. Her quintet was a finalist in the Hennessy Jazz Competition. The C. D., "Soulmates" was nominated for Best jazz C.D. at the Chicago Music Awards. She performed at the Kennedy Center in May 2006 during the Women in Jazz Festival.
Joan has played with Nat Adderly, Von Freeman, Frank Morgan, Lou Tabakin, Jon Faddis, Clark Terry and Buster Williams. Tours include Italy, Sweden, and Denmark with the Jazz Members Big Band featuring Joe Williams, vocalist.
Her CD "Between The Lines,” released in 2006, includes Tito Carrillo trumpet John Wojciechowski, saxophone, Dennis Carroll bass, and Dana Hall drums. The repertoire includes originals and her own arrangements on Bridge Over Troubled water, Black Magic Woman, The Man I Love, and My Funny Valentine.
Teaching has been an important part of Joan's work for many years. She has taught at Univ. of Illinois, her Alma Mater, since 1994, and Northwestem University with her husband (drummer) Joel Spencer, since 2004. She still keeps a small studio of talented high school jazz students, and has seen them go on to USC, New School,
UIUC, and Eastman in jazz studies.
Martin Metzger - Jazz Guitar, teaches on or off campus
Email: metzgermusicstudio@gmail.com
Telephone: 773-744-1156
Martin Metzger is a versatile guitarist and composer from Evanston, Illinois. Martin has performed with many ensembles, including his Flamenco/Jazz Quartet (Flamenco/Jazz), Ensemble of Ragas (Indian/Flamenco), and Wood To Water (World Influenced Jazz), which recorded their debut album in 2006. In 2007, Martin recorded a second record as a sideman with The Chicago Grace Consort. Martin currently performs with a flamenco group based in Chicago, with guitarist Diego Alonso, singer Patricia Ortega, dancer Marisela Tapia, and percussionist Javier Saume. In addition, he performs solo Flamenco/Jazz guitar concerts. Along with earning a Bachelor’s of Music in Jazz Studies from DePaul University (1994), Martin travels to Spain every year to deepen his study of flamenco. Martin Studies at an amazing flamenco school in Granada, Spain called Carmen De Las Cuevas. Martin has also studied in Sevilla, Madrid, Cadiz and many other Andalusian cities. His flamenco teachers include Jorge Sánchez Martinez, Marcos Palometas, Ruben Campos, Alfredo Mesa, Flavio Rodrigues, Tino Van Der Sman and Diego Alonso. In addition, Martin has studied jazz formally with John Moulder, Akio Sasajima, Larry Gray and Alan Swain.
Martin has been sharing his love of guitar with students of all ages for over 35 years. He utilizes his Masters degree in Education from National-Louis University in 2010 to structure his approach to maximize student learning. In addition, Martin draws from his practices of Tibetan yoga and meditation to impart to his students a sense of joy, discipline, creativity and dedication to the art. Students learn from Martin the joy of having music as a life long practice. Martin taught private lessons at Baker Demonstration School for 14 years, and currently teaches with his own studio, Metzger Music Studio, in Evanston, Illinois. Martin teaches guitar students from Evanston, Skokie, Wilmette, Kenilworth, Northbrook, Northfield, Winnetka, Glencoe, Highland Park, Lake Forest and Chicago, Illinois.
Martin is a deeply compassionate, experienced, and caring educator who brings out the very best in every student. Martin gives his students a strong foundation in all aspects of musicianship, which allows them to pursue their unique direction. Martin's focus is to help each student become masterful in the fundamental skills of their chosen genres, encourage students to find their distinctive voice, and stretch beyond their limitations. The Metzger Music Studio and his professional performance ensembles are examples of his creativity, commitment to excellence,
and ability to bring great people together from all walks of life.
Scott Simon - Curricular Percussion Instructor, teaches on campus
Email: simons@eths202.org
Scott Simon grew up in northern Illinois, and began playing percussion at the age of ten. While actively involved in his middle/high school band programs, Scott was exposed early on to the Phantom Regiment Drum and Bugle Corps. He marched four years with the Phantom Regiment Cadets/Phantom Legion drum corps, where they won two Division Three Drum Corps Midwest Championships (1997-98) and one Division Three Drum Corps International Fred Sanford Percussion Award (1999). His competitive marching experience continued with the Phantom Regiment in the summers of 2000, 2002, and 2003. In the 2002 season, he was awarded first place in the Drum Corps International Solo Competition in Madison, WI. After aging out, Scott then joined the percussion staff for Regiment for the 2009 and 2010 seasons and the Santa Clara Vanguard staff for the 2011 season. He is now on percussion staff with The Cavaliers Drum and Bugle Corps from Rosemont, IL.
Scott received his BM at Illinois State University, and his MM at Central Michigan University, both with an emphasis in percussion. At both institutions, he was involved with the concert bands, jazz ensembles, and percussion ensembles. While completing his masters at CMU, the percussion ensemble was among the three groups selected to play at the 2006 Percussive Arts Society International Convention in Austin Texas.
Currently, Scott lives in Chicago, Illinois where he maintains a career in music education and performance In addition to ETHS, Scott also spends his fall season working with the Northwestern University Marching Band, where he serves as instructor and arranger. As a performer, Scott can be found playing in pits for numerous musical theater productions throughout the Chicagoland area.